about
Often working from archive source imagery, I am a painter and printmaker interested in how reinterpreting an image through drawing reflects a collaborative effort to record the past – allowing time to double and fold back on itself through the efforts of more than one hand. Growing up in a house full of heirlooms, my conception of family was established primarily through mediation, taking the form of stories and physical relics rather than personal connections. This dynamic – the construction of a single idea from multiple angles at once – has laid the foundation for my work as I attempt to discern my own relative position in time and the family ecosystem.